I’ve worked with many artists across multiple genres, as a producer, and as a mixing and mastering engineer.
Here are some of my favourite projects for Labels that I’ve worked on.
browse by genre
Jazz | Indie | Americana / Folk | Reggae | Rock | Electronic / Industrial | Roots | Blues | Composer / TV | Live Recording
browse by Client
“John is honest and thorough, and his work ethic is second to none. His professionalism and dedication to a project he has committed to is commendable. Generous with his time and willing to go beyond, he listens to the sensitivities of a project and can offer well-considered, professional opinions.”
Pepe Belmonte – Recording Artist / Songwriter – pepebelmonte.co.uk
Label: Beatroot Rendez-Vous
Two Reasons – Pepe Belmonte
She Says – Pepe Belmonte
The Waterline – Pepe Belmonte
No Word Of A Lie – Pepe Belmonte
Property Of The Lost – Hans Deville
“John delivers great quality results, on a budget that won’t leave a DIY label in tears. Always willing to chat through any project – and can I just say again – he delivers great quality results.”
Karl Horton, Property Of The Lost
Label: Property of the Lost
One Last Time – Hans Deville
Built On Sand – Hans Deville
“Given they were remixes, I was after a different sound, so John suggested we try Stem Masters. Boom! They just came alive!
His work is efficient, cost effective and above all, damn good. John has quickly become the go to guy for my mastering needs.”
Ricky Damiani – Singer / Songwriter – folkloreuk.com/artist/mock-deer/
Cold Light – Ricky Damiani
Your Open Heart Remix – Ricky Damiani
“Aside from being a top class mix engineer and producer, John creates such a positive working relationship, which to me is the key to realising my creative ideas. I’ve consistently returned to working with John for this reason alone… long may it continue.”
Epic Voyage – Evan Jenkins
Storm Hunter – Evan Jenkins
Dystopian Dream – Evan Jenkins
Conquest Records – Mickey Jupp
“We handed John 16 songs by pub-rock pioneer Mickey Jupp, all made using very basic home recording equipment, from sessions that spanned over 40 years. Each recording had its own issues, so making the songs sit nicely together to make a coherent album was a major task. John accepted the challenge and worked tirelessly to get the very best out of each one, which translated into the album achieving critical acclaim in all the major printed publications, including Mojo, Record Collector, The Guardian and a 9/10 review in Classic Rock Magazine.
We will certainly be using the services of audioracket on our upcoming releases.“